Jacob Cordover, classical guitar
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Elmer Bernstein Concerto in Texas

I'm thrilled to be returning to Texas to perform Elmer Bernstein's guitar concerto with the  Arlington, Garland and Las Colinas Symphony Orchestras.

April 13th, 14th and 15th.

concert details
Picture
Picture
Català
Castellano

VIDEOS

Canción primera
​​Diego Corraliza
Recorded at Casal de Barri i Ludoteca Can Travi on a great guitar by Elias Bonet.

This is the winning composition from the First edition of the Llobet Composition Competition 2020. Inspired by the poem of the same name by Miguel Hernández.

Vals Venezolano no. 3
​​Antonio Lauro

Recorded in Karlsruhe at Siccas Guitars on a 2008 Andrea Tacchi guitar

Rodrigo´s Aranjeuz with Manila Symphony Orchestra

The Manila Symphony Orchestra performs their season finale at the Cultural Center of the Philippines, with the world renowned guitarist Jacob Cordover
February 2nd 2020

The Aranjuez starts at 25:05



CD REVIEWS

Expresivo Review in the
American Record Guide

"He has it all - technique, musicianship, inventive programming. In this release he confirms that impression ... The selections are mostly familiar works from the Segovia repertory ... Do we really need another ‘Asturias’ or ‘Recuerdos’?  The answer, I’m happy to say, is yes ... Even if you already have these pieces in other performances, Cordover’s have such a distinct and attractive personality that it will be worth finding."

- Kenneth Keaton, American Record Guide (Nov/Dec 2016)


Read Full Review

Blackwattle Caprices Review
in Classical Guitar Magazine

"There is nothing superficial about the playing on this disc: Cordover plays with total assurance and an understanding of the demands of the programme: with each new track he brings colour and clarity to the music which is often lacking in other performances. This is a recording to savour and one I can thoroughly recommend ... 

​  ... His interpretation of the Bach suite is one of the finest I have heard to date with superb phrasing and total mastery of the technicalities involved in playing this difficult composition."

-Steve Marsh, Classical Guitar Magazine (January 2014)



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